The Role of Noh in Creating a Common Language in Japan
The Role of Noh in Creating a Common Language in Japan Introduction Recently, I had the pleasure of hearing an intriguing story from Mr. Keigo Suzuki, a Noh performer at the Yarai Noh Theatre in Kagurazaka. I am excited to share this story with all of you. The History of Noh Noh theatre originated from the Sarugaku, which was introduced to Japan from China during the Nara period (710-794) and was fully developed by Kan’ami and Zeami, a father-son duo, during the Muromachi period (1336-1573). Initially, Noh was a form of entertainment performed at temple and shrine festivals for the general populace. However, it gradually gained the favor of the warrior and noble classes, especially after receiving the patronage of Ashikaga Yoshimitsu. The Samurai’s Fondness for Noh During the era of Ashikaga Yoshimitsu, Noh became widely accepted in samurai society. Influential figures such as Toyotomi Hideyoshi and Tokugawa Ieyasu also protected and personally performed Noh. This made Noh an integral part of samurai society, used not only for entertainment but also for social and information exchanges. Additionally, a cultural background requiring knowledge of classical Japanese poetry and literature deepened the understanding and appreciation of Noh. The Protection