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Author: ninjakotan

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Kagurazaka Geisha to Hold ‘Kagurazaka Odori 2024’ on Saturday, October 19

By ninjakotan

Kagurazaka Geisha to Hold ‘Kagurazaka Odori 2024’ on Saturday, October 19     “Kagurazaka Odori” Is One of the Most Cherished Occasions for the Kagurazaka Geisha It’s a bit ahead, but we are pleased to announce that “Kagurazaka Odori 2024” will be held on Saturday, October 19. This event is one of the most cherished occasions for the Kagurazaka geisha community to showcase their artistry to the general public. Shinjuku Ward designated it a local cultural asset in 2011. The program includes performances of Nagauta, Kiyomoto, and Tokiwazu and songs and dances inspired by Kyoka Izumi (1873–1939), a writer closely associated with Kagurazaka, accompanied by shamisen music. The event concludes with all the geisha performing a dance together and the traditional distribution of “Tenugui” towels to the audience. We will provide further details, such as ticket sales dates, as soon as they are determined.   Event Details Date and Time: Saturday, October 19, 2024 First Session: 12:00 PM Second Session: 2:00 PM Third Session: 4:00 PM Venue: Kagurazaka Theater (Ushigome Tansu Kumin Hall) 15 Tansu-cho, Shinjuku, Tokyo Access: Subway: Right next to exit A1 of Ushigome-Kagurazaka Station on the Toei Oedo Line A 10-minute walk from exit 2 of Kagurazakaread moreKagurazaka Geisha to Hold ‘Kagurazaka Odori 2024’ on Saturday, October 19

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Experience Hokan and Geisha Performances in Kagurazaka

By ninjakotan

Do You Know the Traditional Comedian “Hokan”? There Are Only Six in Japan Now.   Do you know what a Hokan (幇間) is? Hokan often appear in traditional Japanese arts like Rakugo storyteller, so it’s a word worth knowing. The term “Hokan” combines the meanings of “help” (幇) and “relationships between people” (間), signifying someone who aids in social interactions. A Hokan is a professional who entertains the host and guests at drinking parties by performing arts, assisting geisha, and enlivening the atmosphere. Historically, it has been a male profession. In the early Edo period, around the 1650s, Kabuki actors also served as Hokan. Hokan is also known as “Taiko-Mochi” or “Male Geisha.” The term “Taiko-Mochi” is still used today, albeit with a negative connotation, meaning someone who flatters others to gain favor. However, Hokan is respectfully called “Tayushuu.” In modern terms, a Hokan could be likened to a clown or comedian. The origin of Hokan is said to date back to Sorori Shinzaemon, a retainer of Toyotomi Hideyoshi. When Hideyoshi was in a bad mood, Sorori would cheer him up, leading to the term “TaiKo-Mochi,” which evolved from “TaiKo-Mochi,” meaning one who flatters the Taiko (太閤 a title forread moreExperience Hokan and Geisha Performances in Kagurazaka

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Did you know that Zenkoku-ji (Bishamonten) in Kagurazaka was founded by Shogun Tokugawa Ieyasu?

By ninjakotan

Did you know that Zenkoku-ji (Bishamonten) in Kagurazaka was founded by Shogun Tokugawa Ieyasu?     Zenkoku-ji (Bishamonten) in Kagurazaka: Founded by Shogun Tokugawa Ieyasu An important temple for the development of Kagurazaka is Zenkoku-ji (Bishamonten), which remains a symbolic presence in the area even today. In 1595, Tokugawa Ieyasu, the first shogun of the Edo shogunate, established the Zenkoku-ji (Bishamonten) temple in Nihonbashi Bakurocho, which is historically linked to Kagurazaka. He dedicated the temple and mountain name plaques of “Chingosan Zenkoku-ji” to protect the nation. After its destruction by fire in 1670, Zenkoku-ji was rebuilt in Kojimachi by the famous Tokugawa Mitsukuni (grandson of Tokugawa Ieyasu), also known for creating the vast Koishikawa Korakuen Garden within the Mito clan residence. This extensive garden served as a refuge from Kagurazaka. In 1792, following another fire, Zenkoku-ji relocated to Kagurazaka. Initially surrounded by samurai residences, the area gradually developed as various shops moved from Kojimachi to Kagurazaka, along with increasing residential houses, marking the beginning of its development.   Why Does Zenkoku-ji Have Stone Tigers? Flanking the main hall of Zenkoku-ji are pairs of guardian tiger statues akin to the Komainu (guardian dogs) found in shrines. This is because the templeread moreDid you know that Zenkoku-ji (Bishamonten) in Kagurazaka was founded by Shogun Tokugawa Ieyasu?

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Why You Can Now Enjoy Private Ukiyo-e Talks in Tokyo from an Expert Who Lectured at the British Museum

By ninjakotan

Why You Can Now Enjoy Private Ukiyo-e Talks in Tokyo from an Expert Who Lectured at the British Museum   During your ukiyo-e printmaking experience at Takahashi Studio, you can learn about the ukiyo-e production process and art appreciation techniques from Ms. Yukiko Takahashi, the studio’s president. I was deeply moved by her explanation during a previous visit. Her insights are incredibly valuable for ukiyo-e enthusiasts. She is a recognized expert who has lectured and demonstrated ukiyo-e at prestigious institutions worldwide, including the British Museum and the Detroit Institute of the Arts. Such specialized commentary, typically aimed at art professionals, is a rare opportunity for travelers. Ms. Takahashi is also featured on the official website of the British Museum as the ukiyo-e publisher/printer, a place where not many individuals get highlighted. Don’t miss the opportunity to have a private ukiyo-e explanation session with her. Additionally, a video of Ms. Takahashi giving an ukiyo-e lecture to people in the Baltic states, organized by Japan’s Ministry of Foreign Affairs, is available on YouTube. Please take a look. Takahashi Studio is an Edo-period woodblock print studio established about 160 years ago. Initially, it was a printer, but later, it also became a publisher.read moreWhy You Can Now Enjoy Private Ukiyo-e Talks in Tokyo from an Expert Who Lectured at the British Museum

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3 Keywords to Understand the Differences Between Shinto Shrines and Temples

By ninjakotan

3 Keywords to Understand the Differences Between Shinto Shrines and Temples In a previous blog post, I mentioned that Kagurazaka can be considered both a shrine-front and a temple-front town. I will discuss the differences between shrines and temples using three keywords this time. This is a vast topic, so I aim to simplify it and make it easily understandable for foreigners significantly.  Japanese Are Multi-Religious, Not Non-Religious According to the Agency for Cultural Affairs’ “Religious Statistics Survey,” as of the end of 2022, Shinto followers number approximately 83.96 million (51.5%), and Buddhists about 70.76 million (43.4%), totaling 162.99 million for both religions. Given that the population of Japan is approximately 124.94 million (according to the Ministry of Internal Affairs and Communications “Population Estimates” in October 2022), it is clear that many Japanese are registered with multiple religions. Although often described as non-religious, Japanese society is more accurately multi-religious, a unique aspect of Japanese religious views we will explore further. 3 Keywords to Understand the Differences Between Shinto Shrines and Temples   Keyword 1: Yaoyorozu-no-Kami (八百万神, The Eight Million Gods) Firstly, a shrine in Japan, also known as a Shinto shrine, is a building dedicated to the Shinto religion. Shintoread more3 Keywords to Understand the Differences Between Shinto Shrines and Temples

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Kagurazaka: A Town of Temples or Shrines?

By ninjakotan

Kagurazaka: A Town of Temples or Shrines?   Kagurazaka: Named after the Sounds of ‘Kagura’ Music from Nearby Shrines Kagurazaka Street was constructed by Tokugawa Iemitsu, the third shogun. The name “Kagurazaka” is said to originate from the sound of “Kagura” music heard from the various nearby shrines. “Kagura” is a type of ceremonial music and dance performed during Shinto rituals to worship deities. During the Edo period, Kagurazaka was characterized by samurai residences, temple fronts, and geisha districts.   Is Kagurazaka a Town of Shrine Fronts? From its name, one might assume Kagurazaka is a town of shrine fronts. Indeed, there are many shrines in the area, including Tsukudo Hachiman Shrine (built between 809-823), Akagi Shrine (built in 1300), Kagurazaka Wakamiya Hachiman Shrine (built in 1189), and Tokyo Daijingu (built in 1880). During the Edo period (1603-1868), Akagi Shrine was designated as one of the great shrines of Edo by the Tokugawa shogunate and garnered significant local devotion as the protective deity of the Ushigome area.   Is Kagurazaka a Town of Temple Fronts? However, Kagurazaka also has many temples. Koshoji Temple moved to the site of Ushigome Castle in 1645, Zenkoku-ji (also known as Bishamonten, moved from Kojimachiread moreKagurazaka: A Town of Temples or Shrines?

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Kagurazaka: The Town Where Cultural Figures Reside

By ninjakotan

Kagurazaka: The Town Where Cultural Figures Reside   The Presence of Many ‘Yose’ Made it Home for Famous Rakugo Storytellers From the Edo period (1603-1868), Kagurazaka was home to ‘Yose,’ traditional performance venues like ‘Waradana-tei’ and ‘Warashin,’ where genres such as Dodoitsu and Gidayu were performed. During the Meiji (1868-1912) and Taisho eras (1912-1926), ‘Yose’ like “Ushigome-tei” and “Ryusuitei” began to appear, attracting many people from all over Tokyo. These cultural hubs made Kagurazaka a gathering place for literary giants and celebrities. The presence of many ‘Yose’ made it home for famous Rakugo storytellers like the sixth-generation Sanyutei Ensho, the first-generation Yanagiya Kingoro, and the third-generation Kokontei Shincho. Kagurazaka: The Birthplace of Modern Japanese Literature In the literary world, authors like Ozaki Koyo and Natsume Soseki lived around Kagurazaka, making it the birthplace of modern Japanese literature. In particular, the arrival of Ozaki Koyo in Kagurazaka led to many writers gathering in the area. Additionally, Natsume Soseki’s villa was a meeting place for figures such as Terada Torahiko, Watsuji Tetsuro, and Uchida Hyakken.     Akira Kurosawa Frequently Visited the Cinemas in Kagurazaka In the theater world, Tsubouchi Shoyo and Shimamura Hogetsu established the Literary Arts Association at “Seifu-so” withinread moreKagurazaka: The Town Where Cultural Figures Reside

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Our Traditional Cultural Experience Tour, “Kagurazaka Refined Wander,” Featured on Shinjuku Convention & Visitors Bureau’s Social Media

By ninjakotan

Our Traditional Cultural Experience Tour, “Kagurazaka Refined Wander,” Featured on Shinjuku Convention & Visitors Bureau’s Social Media   On May 31, 2024, our traditional culture experience tour, “Kagurazaka Refined Wander,” was featured on the Shinjuku Convention & Visitors Bureau’s social media for foreigners. This social media channel posts in both English and Traditional Chinese. The Shinjuku Convention & Visitors Bureau’s social media for foreigners has 8,847 followers on Facebook and 565 followers on Instagram. With such many followers, we hope that more foreigners will become aware of and participate in our traditional cultural experience tours. The “Kagurazaka Refined Wander” tour includes stage experiences at the Yarai Noh Theater, a visit to the Kumihimo Studio at Domyo, various Geisha entertainments (including practice sessions, dining, and drinking), Ukiyo-e workshops at Takahashi Studio, a walking tour of Kagurazaka, and shopping at historical shops. Offering Various Traditional Cultural Experience Tours in Addition to “Kagurazaka Refined Wander” In addition to “Kagurazaka Refined Wander,” we offer other tours in the Kagurazaka, Waseda, and Ochiai areas, such as Zen Meditation, Samurai Sword Training, Dyeing, Izakaya (Pub) Tour, and Kigumi Museum Tour. We plan to offer food-related experience tours in Kagurazaka, such as tofu making, Wagashi (Japanese sweets)read moreOur Traditional Cultural Experience Tour, “Kagurazaka Refined Wander,” Featured on Shinjuku Convention & Visitors Bureau’s Social Media

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Those Who Appreciate the World of Stone Gardens, Zen, and Tea Ceremony Can Fully Enjoy Kagurazaka, Tokyo’s Hidden Gem

By ninjakotan

Those Who Appreciate the World of Stone Gardens, Zen, and Tea Ceremony Can Fully Enjoy Kagurazaka, Tokyo’s Hidden Gem       Kagurazaka: The Most Recommended District by Shinjuku Residents Kagurazaka is a hidden gem in Tokyo, known among those in the know. However, it ranks as the number one spot that Shinjuku residents recommend to their friends, acquaintances, and foreign tourists visiting Shinjuku. It topped the list in the category of “Festivals & Events” and ranked second in “Nature, Parks & Streetscapes” and “Commercial, Dining & Entertainment Facilities.” Kagurazaka is the only district that ranked in the top five in all six survey categories (Source: Shinjuku Autonomous Creation Research Institute’s “Study of the Charm of Shinjuku’s Towns”). Nevertheless, tourists are not commonly seen in Kagurazaka even today.   Kagurazaka, A Hidden Gem In Tokyo, Lacks Famous Buildings But Offers A World Of ‘Wabi-Sabi’ This hidden gem of Tokyo, “Kagurazaka,” lacks grand castles or national treasure-level shrines and temples. Unlike Asakusa’s Kaminarimon or Sensō-ji, Tokyo Tower, or Skytree, there are no well-known buildings to photograph, which is one reason tourists may stay away. However, those who understand the symbolic Japanese culture of “Wabi-sabi” can thoroughly enjoy the tourism in Kagurazaka.read moreThose Who Appreciate the World of Stone Gardens, Zen, and Tea Ceremony Can Fully Enjoy Kagurazaka, Tokyo’s Hidden Gem

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The New ¥1,000 Note Featuring Hokusai’s “The Great Wave off Kanagawa”

By ninjakotan

The New ¥1,000 Note Featuring Hokusai’s “The Great Wave off Kanagawa”     Hokusai’s Ukiyo-e, ‘The Great Wave off Kanagawa’, Featured on New Currency Note for the First Time On July 3, 2024, new banknotes (Japanese Banknotes) will be issued for the first time in 20 years since 2004. This new series of notes features numerous anti-counterfeiting technologies and universal designs, which will be detailed below. Ukiyo-e enthusiasts will likely focus on the reverse side of the new ¥1,000 note, which features the ukiyo-e master Katsushika Hokusai’s ‘The Great Wave off Kanagawa.’ This marks the first time in history that ukiyo-e artwork has been used on currency. Additionally, the obverse of the new ¥1,000 note features a portrait of Shibasaburo Kitasato, a Nobel Prize-winning bacteriologist. Source: Photo taken by our company of a poster from the Bank of Japan   Prototype of “The Great Wave off Kanagawa” Hokusai persistently challenged himself throughout his life with the depiction of waves. He drew waves multiple times in his life, constantly experimenting to capture the elusive movement of water. His masterpiece “The Great Wave off Kanagawa” was created in his early 70s, but its prototype is believed to be “Oshiokuri Hato Tsusen noread moreThe New ¥1,000 Note Featuring Hokusai’s “The Great Wave off Kanagawa”

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Moved by the Event of Hachioji Kuruma Ningyo and Geisha at Kagurazaka Ryotei Yukimoto

By ninjakotan

Moved by the Event of Hachioji Kuruma Ningyo and Geisha at Kagurazaka Ryotei Yukimoto   On Saturday, May 25th, the 16th edition of “Kagura Goyomi,” featuring Hachioji Kuruma Ningyo, was held at Kagurazaka Ryotei Yukimoto. This regular event, hosted by Yukimoto, delves into Japanese culture each season. It’s a rare opportunity to enjoy both traditional Japanese culture and the performances of Kagurazaka geisha. Deeply Moved by the Event of Hachioji Kuruma Ningyo and Geisha at Kagurazaka Ryotei Yukimoto This was my first time attending a “Kagura Goyomi” event, and I was deeply moved by every aspect of it. The exquisite craftsmanship of the Kuruma Ningyo puppeteers, the elegance of the geisha’s dance and shamisen performances, the impeccable hospitality of Yukimoto, and the delicious food—all of these elements came together to create an overwhelming experience. The Kuruma Ningyo performances ranged from classical Japanese puppet theater to modern arrangements with flamenco puppets, all of which were outstanding and left a lasting impression.   The next “Kagura Goyomi” is scheduled for July, and I am eagerly looking forward to attending again. This is an event that I hope many foreigners, as well as Japanese people, will have the chance to experience. Hachioji Kurumaread moreMoved by the Event of Hachioji Kuruma Ningyo and Geisha at Kagurazaka Ryotei Yukimoto

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Experience the Essence of ‘Wabi-Sabi’ Japanese Culture in Kagurazaka, Tokyo

By ninjakotan

Experience the Essence of ‘Wabi-Sabi’ Japanese Culture in Kagurazaka, Tokyo     ‘Wabi-Sabi’ and the Beauty of Imperfection Japanese culture is often symbolized by the spirituality of ‘Wabi-Sabi.’ A crucial element of ‘Wabi-Sabi’ is its embrace of imperfection. Rather than presenting everything as flawlessly complete, it appreciates the beauty of things that are incomplete and imperfect. It is believed that perfection leaves no room for growth or improvement. However, imperfection drives continuous efforts towards perfection and development. In this way, ‘Wabi-Sabi’ values the beauty found in the incomplete.   The Origins of ‘Wabi-Sabi’ The concept of ‘Wabi-Sabi’ originated during the Song Dynasty (960-1279) in China, emerging from Taoist influences and later assimilated into Zen Buddhism. Initially, it was perceived as a method to appreciate beauty in a restrained and modest manner. Today, it has evolved into a broader aesthetic that gently appreciates transience, nature, and melancholy, valuing the imperfect and incomplete in everything from architecture to pottery and floral arrangements.  What is ‘Wabi’ Murata Shuko (1422-1502), considered the founder of ‘Wabi-cha’ during the Muromachi period, shifted the focus of tea ceremonies from the then-prevalent expensive ‘Karamono’ (Chinese items) to more modest, locally sourced utensils, advocating for a unity between Zenread moreExperience the Essence of ‘Wabi-Sabi’ Japanese Culture in Kagurazaka, Tokyo

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“Ozashiki Asobi” Glossary for Kagurazaka Geisha in Tokyo

By ninjakotan

“Ozashiki Asobi” Glossary for Kagurazaka Geisha in Tokyo In Kagurazaka, you can interact with Geisha in a variety of settings, such as ryotei (traditional Japanese restaurants), dining establishments, bars, and Kenban (Geisha practice halls). Familiarizing yourself with the unique terms used in the Karyukai (Geisha districts) can enhance your experience. Therefore, we have compiled a glossary of terms from the Kagurazaka Karyukai. Please use the glossary to deepen your enjoyment of ‘Ozashiki Asobi’ with the Geisha of Kagurazaka in Tokyo.    “Ozashiki Asobi” Glossary for Kagurazaka Geisha in Tokyo   “Kagurazaka Karyukai (Geisha districts)” It is said that the Kagurazaka Karyukai started in 1788 at Gyoganji Temple because of its proximity to numerous temples and shrines, eateries, and Geisha houses developed to cater to pilgrims. At its peak, it was one of the most powerful Karyukai in Tokyo, hosting about 600 Geisha and male entertainers (houkan). The Tokyo Kagurazaka Association is comprised of Ryotei and Geisha in the Kagurazaka (Shinjuku Ward, Tokyo) area. Currently, it includes 16 Geisha and Hangyoku (apprentice Geisha).   “Ozashiki Asobi” A general term for playing with Geisha in a tatami room at a ryotei. It is characterized by simple tools and easy-to-understand rules. Losing oftenread more“Ozashiki Asobi” Glossary for Kagurazaka Geisha in Tokyo

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The Enigmatic Ukiyo-e Artist, Sharaku, and His Connection to Kagurazaka

By ninjakotan

The Enigmatic Ukiyo-e Artist, Sharaku, and His Connection to Kagurazaka       Who is Sharaku? Toshusai Sharaku is a unique figure in the world of Ukiyo-e. In a brief period between May 1794 and January 1795, he produced over 145 works primarily focused on actor portraits, and then suddenly vanished. His prolific output in such a short time and his mysterious disappearance leave many unanswered questions.    Characteristics of Sharaku’s Art Sharaku’s works are distinguished by their unique expressive power. His portraits of actors are boldly and realistically captured, which was unusual for the time. This approach quickly made him popular but also controversial due to his unflinchingly real depictions of actors. One of his most famous pieces, “Otani Oniji III as Yakko Edobei,” vividly portrays the actor’s expressions and gestures.    The True Identity of Sharaku Over the years, various theories about Sharaku’s identity have been proposed. Recently, the theory that Sharaku was Saito Jurobei, a Noh actor in the service of the Awa Tokushima Domain, has gained traction. According to this theory, Saito Jurobei temporarily took up painting while serving the daimyo. His existence and his work as a painter have been substantiated through various documents, includingread moreThe Enigmatic Ukiyo-e Artist, Sharaku, and His Connection to Kagurazaka

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Shinjuku’s Kagurazaka: Deep Connections with the Third Shogun of the Edo Shogunate

By ninjakotan

Shinjuku’s Kagurazaka: Deep Connections with Tokugawa Iemitsu, the Third Shogun of the Edo Shogunate   Tokugawa Iemitsu, the Third Shogun who Consolidated the Foundations of the Edo Shogunate Tokugawa Iemitsu, the third Shogun of the Edo Shogunate (in office from 1623 to 1651), had a deep connection with Kagurazaka. Iemitsu solidified the hierarchical feudal system of the Shogunate and mandated the Sankin-Kotai system, which required feudal lords to reside in Edo periodically. He was also instrumental in establishing the isolationist policies that defined the Edo period.   Kagurazaka Street in Shinjuku, Constructed by Shogun Iemitsu The most notable connection with Kagurazaka is the construction of Kagurazaka Street itself by Iemitsu. Designed as the ‘Onarimichi,’ or Shogun’s route, it connected the Ushigome gate of Edo Castle to the residence of the senior councilor Sakai Tadakatsu.   Shogun Iemitsu Named Denchuji Temple Denchuji Temple, located between Kagurazaka and Edogawabashi stations, is a historic Zen temple named by Iemitsu. In 1650, while on a falconry outing, Iemitsu visited the temple and, noting its location amidst the fields, named it Denchuji. This temple has deep ties with Eiheiji Temple in Fukui Prefecture, a prominent Zen temple of the Soto sect. Saishoji Temple Founded byread moreShinjuku’s Kagurazaka: Deep Connections with the Third Shogun of the Edo Shogunate

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The Role of Noh in Creating a Common Language in Japan

By ninjakotan

The Role of Noh in Creating a Common Language in Japan   Introduction Recently, I had the pleasure of hearing an intriguing story from Mr. Keigo Suzuki, a Noh performer at the Yarai Noh Theatre in Kagurazaka. I am excited to share this story with all of you.   The History of Noh Noh theatre originated from the Sarugaku, which was introduced to Japan from China during the Nara period (710-794) and was fully developed by Kan’ami and Zeami, a father-son duo, during the Muromachi period (1336-1573). Initially, Noh was a form of entertainment performed at temple and shrine festivals for the general populace. However, it gradually gained the favor of the warrior and noble classes, especially after receiving the patronage of Ashikaga Yoshimitsu. The Samurai’s Fondness for Noh During the era of Ashikaga Yoshimitsu, Noh became widely accepted in samurai society. Influential figures such as Toyotomi Hideyoshi and Tokugawa Ieyasu also protected and personally performed Noh. This made Noh an integral part of samurai society, used not only for entertainment but also for social and information exchanges. Additionally, a cultural background requiring knowledge of classical Japanese poetry and literature deepened the understanding and appreciation of Noh.   The Protectionread moreThe Role of Noh in Creating a Common Language in Japan

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Exploring the World of Noh—Differences Between Noh and Modern Performing Arts

By ninjakotan

Exploring the World of Noh—Differences Between Noh and Modern Performing Arts   Introduction Noh is one of Japan’s most ancient traditional arts, featuring mystical roles and unique expressions. In this blog, we delve deep into the allure of Noh, explaining its features, roles, and schools.   Representative Roles The Noh stage showcases a variety of roles. There are approximately 240 pieces in the repertoire, with about 120 performed regularly. Noh plots are simple, and the characters are typified. For example, roles include the elegant spirits of men and women from classics like “The Tale of Genji” and “The Tales of Ise,” spirits of warriors who died in the “Genpei War” recounted in “The Tale of the Heike,” and suffering spirits of men and women who have fallen to hell. Additionally, there are spirits of plants like pine and cherry trees, various deities, celestial maidens, tengu, and demons. These entities appear on the human plane and interact with us.  About the Shite-kata In Noh, the main character is called “Shite.” The Shite dominates the stage with their beautiful costumes, masks, and captivating dances. Actors of the Shite-kata typically play the Shite and its auxiliary roles and also take part in theread moreExploring the World of Noh—Differences Between Noh and Modern Performing Arts

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Traditional Performing Arts Festival “Kagurazaka Street Stage, Oedo Tour 2024” Concludes Successfully

By ninjakotan

Traditional Performing Arts Festival “Kagurazaka Street Stage, Oedo Tour 2024” Concludes Successfully     A Record Number of Attendees at the Traditional Performing Arts Festival “Kagurazaka Street Stage, Oedo Tour 2024” The Traditional Performing Arts Festival “Kagurazaka Street Stage, Oedo Tour 2024” was held on Saturday, May 18th, and Sunday, May 19th, and it concluded successfully. The festival saw a record number of attendees, including many foreign spectators, making it a great success. I also participated as a volunteer staff member for both days and had the opportunity to experience the essence of traditional performing arts from within the organization.   The Festival Featured a Variety of Traditional Performances The festival featured a variety of traditional performances, such as Noh at the Yarai Noh Theater in Kagurazaka, “Shinnai Nagashi” of the Shinnai genre, performances by Kagurazaka Geisha, and the “Johana Hikiyama Festival Iori-uta” from Johana, Nanto City in Toyama Prefecture. Street performances included modern arrangements of traditional instruments like the shakuhachi and Tsugaru shamisen, adding to the vibrant atmosphere of the festival.  Notably, foreign spectators included not only residents of Japan but also travelers. Initially unsure of what to expect from the performances, many foreign spectators were seen applauding andread moreTraditional Performing Arts Festival “Kagurazaka Street Stage, Oedo Tour 2024” Concludes Successfully

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Did You Know Karukozaka Is an Old Kamakura Road? Explore with Our Kagurazaka Walk Tour

By ninjakotan

Did You Know Karukozaka Is an Old Kamakura Road? Explore with Our Kagurazaka Walk Tour   Karukozaka Is Older than Kagurazaka Karukozaka Street runs parallel to the north of the bustling Kagurazaka Street. Since the Edo period (1603-1868), it has served as a vital thoroughfare supporting the logistics of the Kagurazaka area. Spanning approximately 380 meters in length and 5-8 meters in width with a gradient of about 6%, Karukozaka is narrower than Kagurazaka Street but facilitates two-way traffic. Historically, while Kagurazaka served as the prestigious avenue for the Shogun, Karukozaka was utilized for practical purposes, such as transporting goods. Even today, due to its utility as a two-way street, it sees heavier use by trucks compared to the one-way Kagurazaka Street.   Karukozaka Street: A Part of the Historic ‘Kamakura Kodo’ (Kamakura Old Road) Karukozaka Street is part of an ancient road network dating back to the Kamakura period, known as the ‘Kamakura Kodo’ (Kamakura Old Road). It was part of what was known as ‘Kamitsu-michi’ (Upper Road), starting from Higashi-Murayama and leading up to ‘Nakatsu-michi’ (Middle Road) in Nakano-Ochiai. The southern route passed through Otakibashi, south of Akagi Shrine, and Karukozaka Street, eventually reaching Otemachi as ‘Shimotsu-michi’ (Lowerread moreDid You Know Karukozaka Is an Old Kamakura Road? Explore with Our Kagurazaka Walk Tour

CategoriesFebruary Itinerary in Japan

The Heike Festival Returns to Yunishigawa Onsen After 5 Years

By ninjakotan

The Heike Festival Returns to Yunishigawa Onsen After 5 Years   Yesterday, I posted a blog about the legend of the Heike refugees in Gokayama, Nanto City, Toyama Prefecture. Today, I will introduce Yunishigawa Onsen in Nikko City, Tochigi Prefecture, which also has a Heike refugee legend and the Heike Festival inspired by this legend.   Don’t Miss the Heike Festival at Yunishigawa Onsen: Join the Majestic Parade On June 1st (Saturday) and 2nd (Sunday), 2024, the Heike Festival (Heike Taisai) will be held at Yunishigawa Onsen. The Heike Festival is a continuing tradition at Yunishigawa Onsen, where it is said that the Heike clan fled after being defeated by the Genji clan in the Battle of Dan-no-ura (1185). The festival features the ‘Heike Emaki Parade,’ where participants dress as Heike warriors and princesses and march solemnly through the area. For those staying at Yunishigawa Onsen on June 1st, there is a special opportunity to experience dressing up as a princess or samurai and stepping back into the Heike era. However, you must apply by May 20th, so please make your reservations early. It is believed that either Taira no Tadamune (grandson of Taira no Kiyomori) or Taira no Kagemoriread moreThe Heike Festival Returns to Yunishigawa Onsen After 5 Years

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The Secret of Gassho-style Villages: Do You Know the Relationship Between “Johana” and “Gokayama,” Both Highly Praised by UNESCO?

By ninjakotan

The Secret of Gassho-style Villages: Do You Know the Relationship Between “Johana” and “Gokayama,” Both Highly Praised by UNESCO? Recently, I covered the Johana Hikiyama Festival, but today, I will post about Gokayama, which I visited during that time. Both “Johana” and “Gokayama” Praised by UNESCO The Johana Hikiyama Festival is elegant, but the silk products supported Johana’s wealth. The raw silk, the material for these silk products, was produced by sericulture in Gokayama. In this way, Johana and Gokayama had a deep relationship. The distance between the two areas is about 14 km, roughly a 20-minute drive by car. Gokayama is part of the World Heritage site “Historic Villages of Shirakawa-go and Gokayama,” the Johana Hikiyama Festival is registered as a UNESCO Intangible Cultural Heritage. Understandably, both are highly appreciated worldwide. The name “Gassho-zukuri” (Gassho-style) comes from the shape of the triangular roofs that resemble hands pressed together in prayer (gassho), and the log frame structure called “gassho.” The steeply sloped roofs were also designed to help shed heavy snowfall. The Legend of the Heike Refugees in Gokayama It is said that the Heike refugees originally settled in Gokayama. In 1183, Kiso Yoshinaka (Minamoto no Yoshinaka) fought against Tairaread moreThe Secret of Gassho-style Villages: Do You Know the Relationship Between “Johana” and “Gokayama,” Both Highly Praised by UNESCO?

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Enjoy the Kagurazaka Walk Tour: Discover Reversible One-Way Street and Tokyo’s First Pedestrian-Only Street

By ninjakotan

Enjoy the Kagurazaka Walk Tour: Discover Reversible One-Way Street and Tokyo’s First Pedestrian-Only Street Kagurazaka is a uniquely charming area in Tokyo, known for its rare traffic system of ‘reversible one-way streets,’ reflecting the vibrant life and rich history of the area. Let’s delve into the secrets of this unique traffic system. The Origin of Kagurazaka’s Reversible One-Way Street In Kagurazaka, the direction of the one-way street changes between day and night. Specifically, traffic flows downhill towards Iidabashi Station from midnight to noon, and from noon to midnight, it flows uphill towards Yarai. This system was implemented in 1961 to accommodate the morning traffic towards the city center and the reverse in the afternoon. There’s a rumor that former Prime Minister Kakuei Tanaka changed the one-way direction to ease his commute from Mejiro to the National Diet Building. However, since Tanaka became prime minister in 1972, it’s unlikely that he initiated the change. Instead, it’s possible that the rumor started because the reversible system conveniently matched his commuting needs.   Kagurazaka as a Pedestrian-Only Street Kagurazaka is known for its pedestrian-only hours. From noon to 1 PM on weekdays and noon to 7 PM on Sundays and holidays, the sectionread moreEnjoy the Kagurazaka Walk Tour: Discover Reversible One-Way Street and Tokyo’s First Pedestrian-Only Street

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Noh Experience for Beginners in Tokyo—Delving into the Charm of Noh and Kyogen

By ninjakotan

Noh Experience for Beginners in Tokyo—Delving into the Charm of Noh and Kyogen     About Noh and Kyogen, Together Known as Nohgaku Nohgaku, Japan’s prestigious traditional stage art, comprises two elements: Noh and Kyogen. Having been continuously performed for over 650 years since the Muromachi period, it has enjoyed the patronage of samurai and feudal lords. Noh is a mystical musical drama, while Kyogen depicts people’s everyday lives with humor. Both forms were cherished by historical figures such as Toyotomi Hideyoshi and Tokugawa Ieyasu, and today, they are registered as UNESCO Intangible Cultural Heritage, receiving high acclaim both domestically and internationally.   What is Noh Noh is a highly refined form of Japanese traditional theater, performed with song (utai) and instrumental music (hayashi). Noh plays often draw from classical literature and is characterized by using Noh masks to depict otherworldly realms. Characters include not only humans but also gods, demons, spirits, and mythical beings whose interactions with the human world are central to the plot. Performers use highly stylized movements to convey the narrative, employing masks and costumes to leave a lasting impression on the audience. The Noh stage, unique in its construction, appears simple but is laden withread moreNoh Experience for Beginners in Tokyo—Delving into the Charm of Noh and Kyogen

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Did you know that Natsume Soseki, author of “I Am a Cat” and “Kokoro,” had deep ties to Kagurazaka?

By ninjakotan

Did you know that Natsume Soseki, author of “I Am a Cat” and “Kokoro,” had deep ties to Kagurazaka?     Natsume Soseki’s Deep Connections to Kagurazaka Kagurazaka is known as a cultural city where many literary giants have lived. Figures like Ozaki Koyo, Natsume Soseki, and Tsubouchi Shoyo have resided here, giving the area a reputation as the birthplace of modern Japanese literature. Some claims place the origins of modern Japanese literature in Hongo, where Tsubouchi Shoyo, Futabatei Shimei, Higuchi Ichiyo, and Ishikawa Takuboku lived. Coincidentally, I lived in Hongo before moving to Kagurazaka. This post will focus on Natsume Soseki’s deep connections to Kagurazaka. Natsume Soseki (born Natsume Kinnosuke) was born in February 1867 in Waseda (then known as Ushigome Babashita, now Kikui-cho in Shinjuku Ward, Tokyo). This location is near the current Waseda Station and Anahachimangu Shrine. His father, Naokatsu, was a community leader who governed the area from Edo Ushigome to Takadanobaba. After graduating from the English department of the Imperial University (later Tokyo Imperial University, now the University of Tokyo), Soseki worked as a high school teacher in Matsuyama and a professor in Kumamoto before studying in England. Upon returning from England, he briefly livedread moreDid you know that Natsume Soseki, author of “I Am a Cat” and “Kokoro,” had deep ties to Kagurazaka?

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Celebrate the Golden Jubilee at the 50th Kagurazaka Festival in 2024

By ninjakotan

Celebrate the Golden Jubilee at the 50th Kagurazaka Festival in 2024     Kagurazaka Festival 2024: Held from July 24 to July 27 The dates for the 2024 Kagurazaka Festival have been decided. This year, the festival will take place from July 24th (Wednesday) to July 27th (Saturday). As the 50th anniversary edition, it is expected to be a grand celebration. The Kagurazaka Festival is structured into two parts: the “Hozuki (Chinese lantern plant) Market” and the “Awa Dance Festival.” Further details about the Kagurazaka Festival will be provided around mid-May. The “Hozuki Market” will be held on July 24th and 25th, while the “Awa Dance Festival” is scheduled for July 26th and 27th. As in previous years, the venue for the “Hozuki Market” will likely be centered around Bishamonten, and the “Awa Dance Festival” will take place along Kagurazaka Street and in front of the Akagi Shrine.   “Horoku-kyu” from the Edo Period At the “Hozuki Market,” hozuki plants (approximately ¥2,000 each) will be sold, and stalls from nearby shopping districts will also be set up along Kagurazaka Street. In 2023, 32 stalls participated. Also scheduled for July 25th, coinciding with the “Hozuki Market,” is the “Houroku-kyu” ritual atread moreCelebrate the Golden Jubilee at the 50th Kagurazaka Festival in 2024

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Experience Traditional Japanese Architectural Techniques (6): “Onigawara”

By ninjakotan

Experience Traditional Japanese Architectural Techniques (6): “Onigawara”   At the Kigumi Museum, you can experience more than just timber framing—many traditional Japanese architectural techniques are on display here. Most of these have been registered as UNESCO Intangible Cultural Heritage under the category ‘Traditional skills, techniques, and knowledge for the conservation and transmission of wooden architecture in Japan.’ Let’s explore these traditional techniques as they are exhibited at the Kigumi Museum.    What is Onigawara? Onigawara are a key decorative element in Japanese architecture, known primarily for their placement at the ends of roof ridges. Typically made of tile, they are adorned with faces of ogres or mythical creatures and are situated at the top of the building (the ridge). Historically, onigawara were used as a form of protection, warding off evil spirits and external threats. The use of onigawara dates back to the Asuka period (592-710), with their shapes and designs evolving over time. Initially simple in form, they gradually became more artistic and complex. Particularly from the Muromachi (1336-1573) to the Edo period (1603-1868), onigawara became a symbolic aspect of Japanese architecture, with significant advancements in their crafting techniques.    Onigawara not only serves a decorative role but alsoread moreExperience Traditional Japanese Architectural Techniques (6): “Onigawara”

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Experiencing Traditional Japanese Architectural Techniques (5): “Wa-Kugi” (Japanese Nails)

By ninjakotan

Experiencing Traditional Japanese Architectural Techniques (5): “Wa-Kugi” (Japanese Nails) At the Kigumi Museum, visitors can experience more than just timber framing; most of these techniques are registered as UNESCO Intangible Cultural Heritage under “Traditional skills, techniques, and knowledge for the conservation and transmission of wooden architecture in Japan.” In this blog, I will explain the traditional Japanese architectural techniques displayed at the Timber Framing Museum in sequence.    What is Wa-Kugi? Wa-Kugi are traditional Japanese nails that have been used since the Asuka period. Their most distinctive feature is their thick, angular shaft, which increases the surface area in contact with the wood, thereby enhancing the fixing strength and supporting the durability of buildings over long periods. Each Wa-Kugi is handcrafted by artisans, making every nail slightly different in thickness, which contributes to the delicacy of Japanese architecture.   Main Differences Between Wa-Kugi and Western Nails Appearance: Wa-Kugi have a variety of head shapes but most have angular shafts. In contrast, Western nails, which were introduced to Japan from Europe during the Meiji era, typically have flat heads and round shafts. Manufacturing Method: Wa-Kugi are handcrafted one by one by craftsmen, which makes them more expensive than mass-produced Western nails.read moreExperiencing Traditional Japanese Architectural Techniques (5): “Wa-Kugi” (Japanese Nails)

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Japanese Traditional Crafts—Once Lost, They May Never Return: How to Support Japanese Artisans with Experience Tour

By ninjakotan

Japanese Traditional Crafts—Once Lost, They May Never Return: How to Support Japanese Artisans with Experience Tour   Japan is home to numerous exquisite traditional crafts, but they are not automatically preserved through generations. The market for traditional crafts plummeted from ¥540 billion in 1983 to ¥87 billion in 2020, and the number of craftsmen has decreased from 288,000 in 1979 to just 54,000 (Source: The Association for the Promotion of Traditional Craft Industries). This signifies a looming loss of Japan’s cultural heritage. The Evolution and Current State of Traditional Craft Industries Post-World War II economic growth transformed many aspects of Japanese society, particularly impacting the traditional crafts industry. Technological innovations and the advent of industrial materials led to a rapid decline in the traditional crafts market, overshadowed by mass-produced modern industrial products. Moreover, urbanization and the decline of rural areas have made securing the raw materials necessary for traditional crafts difficult. For example, the availability of plants used in lacquer and Washi (Japanese paper), essential for traditional methods, has decreased significantly. How to Support Traditional Crafts and Japanese Artisans with Experience Tour Given this context, participating in traditional crafts experience tours is crucial for preserving and supporting Japanese artisan’s skills.read moreJapanese Traditional Crafts—Once Lost, They May Never Return: How to Support Japanese Artisans with Experience Tour

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Experience Japanese Noh Theater in Shinjuku, Tokyo

By ninjakotan

Experience Japanese Noh Theater in Shinjuku, Tokyo   Starting on April 1st, we launched the premium cultural experience tour “Kagurazaka Refined Wander: Cultural Awakening Around Every Bend,” which includes a visit to Yarai Noh Theater in Kagurazaka, Shinjuku, Tokyo. Here, you can not only observe but also participate in the stage experience. Yarai Noh Theater offers a demonstration of traditional Noh play by skilled performers, lectures about Noh, a tour of the backstage, including a rare viewing of Noh masks, and an opportunity to perform on the Noh stage yourself. Explore Yarai Noh Theater: A National Registered Tangible Cultural Property Yarai Noh Theater was rebuilt in September 1952 and was designated as a Registered Tangible Cultural Property (building) by the Japanese government in 2011. It is owned by the public interest corporation Kanze Kyukokai Association and is used for performances and rehearsals of Noh and Kyogen. The structure of the Noh stage includes a main stage measuring 5.4m by 5.4m, a rear seating area that is 2.7m deep, a chorus seating area 2.1m deep, and a bridge path that is 2.1m wide and 6.5m long. There are three pine trees between the bridge path and the audience area, placed toread moreExperience Japanese Noh Theater in Shinjuku, Tokyo

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Experience Hachioji Kuruma Ningyo and Geisha Performances at Kagurazaka’s Ryotei “Yukimoto”

By ninjakotan

Experience Hachioji Kuruma Ningyo and Geisha Performances at Kagurazaka’s Ryotei “Yukimoto”     Kagurazaka’s ryotei “Yukimoto” proudly hosts the 16th Kagura Goyomi event, featuring the Hachioji Kuruma Ningyo performance. They are honored to invite the fifth-generation headmaster, Nishikawa Koryu, from the Hachioji Kuruma Ningyo Nishikawa Koryuza troupe to Kagurazaka for this special occasion. Experience Hachioji Kuruma Ningyo and Kagurazaka Geisha in One Evening Alongside this unique puppet theater, you will also enjoy seasonal dances performed by Kagurazaka geisha, offering a rare opportunity to experience both the Important Intangible Folk Cultural Property of Hachioji Kuruma Ningyo and the elegant Kagurazaka geisha in one evening. We warmly invite you to join us for this exceptional cultural experience.     About Hachioji Kuruma Ningyo Hachioji Kuruma Ningyo involves a single puppeteer maneuvering a puppet while seated in a box-shaped cart with wheels, known as a “Rokuro Kuruma.” This ingenious design simplifies the traditional three-puppeteer system, allowing performances with fewer people and in more flexible settings. The puppet’s feet directly touch the stage, enabling dynamic and rhythmic performances. The versatility of the stage setup also allows for collaborations with other art forms, broadening the theatrical possibilities.   History The art of Kuruma Ningyo wasread moreExperience Hachioji Kuruma Ningyo and Geisha Performances at Kagurazaka’s Ryotei “Yukimoto”

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Did You Know about the Johana Hikiyama Festival? Experience It in Kagurazaka!

By ninjakotan

Did You Know about the Johana Hikiyama Festival? Experience It in Kagurazaka!     The Johana Hikiyama Festival and the History of Johana Town I participated in the Johana Hikiyama Festival and will share about the festival, the history of Johana, and its connection to Kagurazaka. The Johana Hikiyama Festival is a historic festival held every May 5th in Nanto City, Toyama Prefecture. It is registered as a UNESCO Intangible Cultural Heritage. As a traditional cultural event whose style has remained largely unchanged since the Edo period, it captivates local residents and many tourists. One of the festival’s highlights is the evening transformation into a lantern parade, offering a different atmosphere from the daytime. The mikoshi (portable shrine) procession to the festival floats dates back to 1724, making this year 2024 a significant 300-year milestone. The history of Johana Town itself is ancient, with significant settlements known to exist since the Jomon period, serving as a vital living area since ancient times. The town saw significant development as a temple town with the relocation of Zentokuji Temple in 1573. Zentokuji Temple is currently a branch temple of Higashi Honganji in Johana.  The area around Zentokuji was particularly famous for silkread moreDid You Know about the Johana Hikiyama Festival? Experience It in Kagurazaka!

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Authentic Ukiyo-e Printmaking Experience Under Artisan Guidance at Takahashi Studio

By ninjakotan

Authentic Ukiyo-e Printmaking Experience Under Artisan Guidance at Takahashi Studio   At our company, we have had the privilege of participating in an authentic Ukiyo-e printmaking experience under the guidance of real artisans at Takahashi Studio, and I am excited to share our report. Takahashi Studio is Japan’s oldest Ukiyo-e studio, with a history spanning over 160 years. The experience of creating Ukiyo-e prints under the guidance of an authentic artisan at this historic studio proved to be an unforgettable and marvelous experience. Firstly, at Takahashi Studio, we started by watching a video about Ukiyo-e printmaking while listening to the explanations from the artisans. The commentary was impressive. It thoroughly explained the division of roles in Ukiyo-e production, which includes the Hanmoto (publishers), the Eshi (painters), the Horishi (carvers), and the Surishi (printers). The publisher handles the entire process, from planning the Ukiyo-e prints, securing production funds, negotiating with painters, managing the production process, and even sales and managing the woodblock. Following the publisher’s instructions, the painter creates a preliminary sketch only in ink outlines. This ink sketch is then handed over to the carver, who carves a woodblock known as the “key block” (also called the “sumi block”) thatread moreAuthentic Ukiyo-e Printmaking Experience Under Artisan Guidance at Takahashi Studio

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Deep Connections between Kagurazaka and Fukui Prefecture: Experience History with Kagurazaka Street Walk Tours

By ninjakotan

Deep Connections between Kagurazaka and Fukui Prefecture: Experience History with Kagurazaka Street Walk Tours   The Hokuriku Shinkansen Was Extended to Fukui Prefecture On March 16, 2024, the Hokuriku Shinkansen was extended to Tsuruga Station. This expansion has improved access between the metropolitan area and Fukui Prefecture, sparking excitement across the prefecture as it anticipates an increase in tourists. The connection between Obama City in Fukui and Kagurazaka is profound, and to this day, the Kagurazaka shopping district supports the annual “Echizen-Wakasa Festival,” held within the precincts of Akagi Shrine and Bishamonten. Famous nationwide, Echizen crab, along with other local specialties from Obama City, like grilled mackerel sushi, mackerel sushi, and young snapper pickled in bamboo leaves, are very popular when sold in Kagurazaka. The bond between Obama City and Kagurazaka began in 1628 when Sakai Tadakatsu, the lord of Obama, was granted an estate in what is now Yarai-cho by Tokugawa Iemitsu, the third shogun. During Iemitsu’s reign, Tadakatsu served as a senior councilor and regent, and the shogun visited this estate about 150 times. The road connecting this Wakasa Obama domain residence and Edo Castle’s Ushigome gate runs through Kagurazaka. Let’s Join Kagurazaka Walking Tours and “Echizen-Wakasa Festival”read moreDeep Connections between Kagurazaka and Fukui Prefecture: Experience History with Kagurazaka Street Walk Tours

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Experience Traditional Japanese Culture at Kagurazaka Street Stage O-edo Tour 2024

By ninjakotan

Experience Traditional Japanese Culture at Kagurazaka Street Stage O-edo Tour 2024   Join us for a unique experience in Tokyo’s hidden gem, Kagurazaka. On May 18th (Saturday) and 19th (Sunday) of 2024, the entire Kagurazaka area will transform into the stage for the “Kagurazaka Street Stage O-edo Tour 2024” festival. This event provides an excellent opportunity for beginners to learn traditional Japanese performing arts and to enjoy and engage with them deeply. Participation is free of charge.   What is the charm of Kagurazaka? With its cobblestone streets and ancient temples that have survived since the Edo period, Kagurazaka allows you to feel as if time has stopped while in Tokyo. Known as “Petit Paris,” this area harmoniously blends Japanese tradition with international flair. Each year, the festival of traditional performing arts allows for the rediscovery of its cultural charm. Highlights of ” Kagurazaka Street Stage O-edo Tour 2024″ At the festival, various iconic spots in Kagurazaka will serve as stages for traditional performing arts. Performances will take place on cobblestone alleys, in the streets, temple precincts, and at the Noh theater, featuring shamisen, koto, shakuhachi music, Noh and Japanese dance performances, storytelling arts such as Rakugo, and more. Popularread moreExperience Traditional Japanese Culture at Kagurazaka Street Stage O-edo Tour 2024

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Experience Authentic Japanese Artisanship with Wasuian Samue Rentals

By ninjakotan

Experience Authentic Japanese Artisanship with Wasuian Samue Rentals     Introduction Our company offers rental services for work clothes known as samue, produced by Idaseni Co., Ltd. (brand name: Wasuian) in Kiryu City, Gunma Prefecture—a city with a rich tradition in textile craftsmanship. Originally, samue was worn by monks as work attire in Zen temples and has spread due to its functionality, durability, and comfort. Nowadays, many craftsmen in workshops also wear them. We aim to provide tourists participating in our traditional crafts experience tours the opportunity to fully immerse themselves in the craftsman’s role by wearing samue during their workshop experiences. Enjoy a deeper immersion into the experience of the traditional craft by wearing a samue. Today, we would like to introduce you to Idaseni Co., Ltd. (brand name: Wasuian), where each samue is a product of painstakingly handcrafted techniques developed in the heart of Kiryu’s historic textile industry.     Kiryu: Japan’s Historic Textile Hub Kiryu City, known as the “City of Textiles,” boasts a history of fabric production that stretches back over 1,300 years. The pristine and abundant waters of the Kiryu River have historically been perfect for the intricate processes of dyeing and washing, fostering aread moreExperience Authentic Japanese Artisanship with Wasuian Samue Rentals

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Experiencing Traditional Japanese Architectural Techniques (4): “Saishiki”

By ninjakotan

Experiencing Traditional Japanese Architectural Techniques (4): “Saishiki”     Experience Key Traditional Japanese Architectural Techniques At the Kigumi Museum, visitors can explore not only “Kigumi” but also other traditional Japanese architectural techniques. Most of these techniques are registered under the UNESCO Intangible Cultural Heritage category, “Traditional skills, techniques, and knowledge for the conservation and transmission of wooden architecture in Japan.” Let’s delve into the traditional Japanese architectural techniques displayed at the Kigumi Museum.   What is Saishiki? In traditional Japanese architecture, beauty is not only structural but also decorative, often enhanced through colors. One such decorative technique is known as “Saishiki.” This blog will explain the history and techniques of Saishiki, as well as its importance in the modern era.   History of Saishiki Saishiki, a method of decoration, was introduced to Japan from China along with the arrival of Buddhism. During the Heian period (794-1185 AD), it evolved into a uniquely Japanese technique and flourished mainly in temple and shrine architecture. Especially during the Muromachi (1336-1573 AD) and Momoyama (1573-1603 AD) periods, lavish decorations were applied using lacquer, enhancing their grandeur.   Techniques of Saishiki Saishiki involves various techniques, typically including the following steps: Base Preparation: Wood is thoroughlyread moreExperiencing Traditional Japanese Architectural Techniques (4): “Saishiki”

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Experiencing Traditional Japanese Architectural Techniques (3): “Urushi Lacquering”

By ninjakotan

Experiencing Traditional Japanese Architectural Techniques (3): “Urushi Lacquering” Experience Key Traditional Japanese Architectural Techniques At the Kigumi Museum, visitors can explore not only “Kigumi” but also other traditional Japanese architectural techniques. Most of these techniques are registered as UNESCO Intangible Cultural Heritage under the category of “Traditional skills, techniques, and knowledge for the conservation and transmission of wooden architecture in Japan.” Let’s delve into the traditional Japanese architectural techniques exhibited at the Kigumi Museum. What is Urushi Lacquering? Urushi lacquering is a traditional Japanese painting technique used on structures such as temples and shrines, offering beauty and durability. Urushi, the lacquer used, is derived from the sap of the lacquer tree and is considered a high-quality paint material. This article introduces the basic techniques and the allure of Urushi lacquering. History and Characteristics of Urushi Lacquering Urushi lacquering has developed in Japan over thousands of years. It is primarily used to protect and decorate wood surfaces. Natural components in the lacquer form a strong protective coating when hardened, safeguarding the wood from water and pests and maintaining its beauty over long periods. The Process of Urushi Lacquering The process of Urushi lacquering is complex and requires advanced skills. Here areread moreExperiencing Traditional Japanese Architectural Techniques (3): “Urushi Lacquering”

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How to Experience Real Edo: Kagurazaka to Kawagoe with the Legacy of Tadakatsu Sakai

By ninjakotan

How to Experience Real Edo: Kagurazaka to Kawagoe with the Legacy of Tadakatsu Sakai     Did You Know Kagurazaka Was Built for Shogun Tokugawa Iemitsu? In a previous blog, we discussed how Kagurazaka was constructed in 1636 as a wide street (12 meters across) known as “Onaridori” (Processional Way) for Tokugawa Iemitsu, the third Shogun. This street was specifically designed for the Shogun’s travels. Kagurazaka’s construction as Onaridori was largely due to the expansive estate of Tadakatsu Sakai, the Tairo (Senior Councilor) and lord of Wakasa Obama Domain, located in the Ushigome area. The street from Sakai’s estate to the Ushigome gate of Edo Castle forms what is now Kagurazaka.  Tadakatsu Sakai: The Link Between Kagurazaka and Kawagoe Before becoming the lord of the Wakasa Obama Domain, Tadakatsu Sakai was the second lord of the Kawagoe Domain. Kawagoe is affectionately known as “Koedo (Little Edo)” due to its preserved Edo-era ambiance. Kawagoe Castle played a pivotal role as a northern defense point for Edo, with successive generations of shogunate senior vassals as lords. Did You Know That Edo Castle and Kawagoe Castle Were Built in the Same Year by the Same Father-Son Duo? It is said that Kawagoe Castleread moreHow to Experience Real Edo: Kagurazaka to Kawagoe with the Legacy of Tadakatsu Sakai

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Kotonoha Noh Vol.3 at Yarai Noh Theater: An Enjoyable Experience for the Visually Impaired

By ninjakotan

Kotonoha Noh Vol.3 at Yarai Noh Theater: An Enjoyable Experience for the Visually Impaired   Making Yarai Noh Theater Accessible to Visually Impaired Individuals I attended “Kotonoha Noh Vol.3” at Yarai Noh Theater 2 days ago. This performance, orchestrated by the nonprofit organization Ichino-kai, led by Representative Director Keigo Suzuki, was designed to be accessible for visually impaired individuals. Braille materials were sent out beforehand, allowing those with visual impairments to familiarize themselves with the performance in advance, making the experience more enjoyable and understandable. Those with sight also received translations in contemporary language to facilitate a deeper understanding of the Noh performance.     Performance of ‘Hachinoki,’ The Origin of ‘On to Kamakura’ The program featured the story “Hachinoki,” which inspired the phrase “Iza Kamakura (On to Kamakura).” It was presented both as a narrative and through a Noh performance. Master storyteller Ichiryusai Teikitsu delivered the narrative, and Keigo Suzuki played the leading role in the Noh performance. “Hachinoki” is a celebrated piece from the Kamakura period, favored even by Tokugawa Ieyasu, depicting a samurai’s loyalty. The plot is as follows: Hojo Tokiyori, the fifth regent of the Kamakura shogunate, disguises himself as a traveling monk to survey theread moreKotonoha Noh Vol.3 at Yarai Noh Theater: An Enjoyable Experience for the Visually Impaired

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Experience Authentic Craftsmanship in Tokyo Wearing Samue as Rental Clothing

By ninjakotan

Experience Authentic Craftsmanship in Tokyo Wearing Samue as Rental Clothing: A Comparison Between Samue and Jeans     In our last discussion, we focused on how samue can contribute to the inner peace modern individuals seek. This time, we explore the potential of samue to transcend its role as mere workwear and leap onto the global stage as a representative of Japanese attire in our stressful modern society. We’ll pay special attention to the flexibility of samue sizes and the changing perspectives worldwide. Samue Is Perfectly Suited For Contemporary Life Samue, with its simple design and comfort, is perfectly suited for contemporary life. It is especially accommodating for the senior demographic, adapting easily to changes in body shape and facilitating daily movements. Samue offers a considerable size range even within the same size designation. For instance, one samue manufacturer lists a men’s M size as accommodating waist sizes from 64-98 cm. This flexibility means that even as body shapes change with age, one can continue wearing the same size. In a globally aging society, this feature of samue is particularly significant.     Samue: More in Vogue Than Jeans Today Meanwhile, jeans have long been recognized as a symbol ofread moreExperience Authentic Craftsmanship in Tokyo Wearing Samue as Rental Clothing

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Learn the difference by Samue: Zen vs. Mindfulness

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Learn the difference by Samue: Zen vs. Mindfulness   We want to discuss why samue transcends mere workwear and can also contribute to the inner peace sought by modern individuals. Samue traces its origins to the work attire worn in Zen temples. Zen refers to discerning the true nature and essence of things and responding to them correctly. Zen aims to achieve harmony of body, breath, and mind by stabilizing the body through sitting and focusing the mind. Wearing samue symbolizes an intimate connection to this Zen spirit.     Steve Jobs Also Admired Samue Even Apple’s late Steve Jobs empathized with Zen, and it’s said that his iconic black turtleneck drew inspiration from samue. This demonstrates the influence and universality of samue. The simple design of samue, devoid of unnecessary decorations, helps calm the mind. When wearing samue, its simplicity can make one feel as if their mind is liberated. Putting on samue can evoke a sense of stepping into a quiet space away from the daily hustle and bustle. The lightness of samue seems to free the body and maintain a peaceful mind. With its simplicity, samue supports such mental states and leads to inner tranquility. The Simpleread moreLearn the difference by Samue: Zen vs. Mindfulness

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Did You Know Kagurazaka Was Built for Shogun Tokugawa Iemitsu?

By ninjakotan

Did You Know Kagurazaka Was Built for Shogun Tokugawa Iemitsu?    Kagurazaka was constructed in 1636 as a 12-meter-wide street named Onaridori, designated specifically for the passage of the Tokugawa Shogun. This street, now known as Kagurazaka, was made for the third Shogun, Tokugawa Iemitsu. Before Kagurazaka’s construction, the main route was along Karuko-zaka, which runs parallel to Kagurazaka. Karuko-zaka was an ancient path of the Kamakura Kaido, a road leading to Kamakura, also known as the “Old Kamakura Road.” Beyond Karuko-zaka, the “Old Kamakura Road” passed to the east of today’s Shirogane Park, descended Akagi-zaka in front of Akagi Shrine, emerged in Tenjin-cho, and led towards the Joshu Road, among others. Kagurazaka Was Built as Shogun Road Kagurazaka was built as Onaridori because of the vast estate of the Wakasa Obama Domain lord, Sakai Tadakatsu, in the Ushigome area. The route from Sakai Tadakatsu’s estate to the Ushigome gate of Edo Castle became Kagurazaka, the Onaridori. Due to Shogun Iemitsu’s deep trust, Sakai Tadakatsu was granted a vast estate in 1628, covering 43,500 tsubo (approximately 143,800 square meters)—about the size of three Tokyo Domes. Subsequently, Shogun Iemitsu frequently visited Sakai Tadakatsu’s estate, around 150 times, as historical records suggest.read moreDid You Know Kagurazaka Was Built for Shogun Tokugawa Iemitsu?

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Introducing “Bar ei” in Tokyo: A Unique Experience to Chat with Authentic Kagurazaka Geisha

By ninjakotan

Introducing “Bar ei” in Tokyo: A Unique Experience to Chat with Authentic Kagurazaka Geisha The ultimate Kagurazaka geisha experience is usually in high-end ryotei (traditional Japanese restaurants). However, you can also enjoy a fulfilling experience by dining at another establishment and chatting with a geisha at a bar. This is because geishas, who have entertained many influential figures in politics and finance, possess exceptional conversational skills and embody the spirit of “Omotenashi” (hospitality).   About “Bar ei” Today, we would like to introduce “Bar ei,” a bar in Kagurazaka where you can invite a geisha. “Bar Ei” is run by a real geisha named Eiko. Since Eiko is often at the counter, you can enjoy a conversation with her without the need to invite other geisha. Kagurazaka also hosts another bar, “Chika,” run by a geisha named Chika.   About Eiko san Eiko is a “Tachikata” (dancing) geisha and a mid-career professional in the Kagurazaka geisha community. Eiko’s mother also helps run “Bar ei” and serves an exquisite dry curry, a recipe created by Eiko’s sister. “Bar ei” offers a food menu, including dry curry. This menu was inspired by the geishas’ request for something to eat after finishing theirread moreIntroducing “Bar ei” in Tokyo: A Unique Experience to Chat with Authentic Kagurazaka Geisha

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Introducing a luxury ryotei in Tokyo where you can experience authentic Kagurazaka geisha entertainment

By ninjakotan

Introducing a luxury ryotei in Tokyo where you can experience authentic Kagurazaka geisha entertainment   The Essence of Kagurazaka’s Geisha Culture at Yukimoto The pinnacle of authentic Kagurazaka geisha experiences can undoubtedly be found in high-end ryotei (traditional Japanese restaurants). Currently, there are three such ryotei in Kagurazaka where you can invite geisha performers, though one of them is mostly closed. Today, let’s introduce “Yukimoto,” a ryotei that offers the opportunity to invite geisha. Founded in 1948, Yukimoto is located in Hyogo Yokocho, a picturesque alley that epitomizes the charm of Kagurazaka. Directly opposite Yukimoto is the inn “Wakana,” where many authors have penned their masterpieces. The cobblestone pathway of Hyogo Yokocho, along with Yukimoto and Wakana, forms a quintessential Kagurazaka scene, often featured on the covers of numerous magazines and books. Yukimoto boasts eight rooms, including a large hall with forty tatami mats. It can accommodate groups ranging from a single guest to parties of forty. The bar on the premises is karaoke-equipped. Yukimoto Introducing Japanese Culture Regularly Yukimoto hosts “Kagura Goyomi,” events showcasing Japanese culture with each season. In March, we introduced a traditional Japanese sleight-of-hand magic show known as “Tezuma” on our blog. Additionally, there’s the “Yukimotoread moreIntroducing a luxury ryotei in Tokyo where you can experience authentic Kagurazaka geisha entertainment

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Introducing a restaurant in Tokyo where you can experience authentic Kagurazaka geisha performances

By ninjakotan

Introducing a restaurant in Tokyo where you can experience authentic Kagurazaka geisha performances   High-end ryotei are not the only places where you can enjoy authentic Kagurazaka geisha experiences. Today, we introduce “Torijaya,” a restaurant where you can experience geisha performances. “Torijaya” is ranked as the number one restaurant for “Udon Suki (Udon Hot Pot)” in Tokyo on Tabelog, Japan’s largest gourmet review site, as of April 8, 2024. To be precise, “Torijaya” is actually ranked third for “Udon Suki,” but the first place, “Authentic Handmade Mori House Tokyo,” is categorized under “Udon, Tempura, Udon Suki,” and the second place, “Ginza Sasuga Rin” under “Soba, Japanese Cuisine, Udon Suki,” with neither focusing primarily on Udon Suki. Additionally, the top two restaurants do not feature “Udon Suki” on their homepage photos. In contrast, “Torijaya” is categorized under “Udon Suki, Japanese Cuisine, Oyakodon,” with “Udon Suki” being its main attraction. Therefore, it is fair to consider “Torijaya” as the top restaurant for “Udon Suki (Udon Hot Pot)” in Tokyo. Founded in 1963, “Torijaya” is an established “Udon Suki” restaurant that offers various Japanese dishes. It is located along a narrow staircase known as Atami Yu Steps or Geisha Alley, situated between theread moreIntroducing a restaurant in Tokyo where you can experience authentic Kagurazaka geisha performances

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Experiencing Traditional Japanese Architectural Techniques (2): “Sakan”

By ninjakotan

Experiencing Traditional Japanese Architectural Techniques (2): “Sakan” What is “Sakan”? Traditional Japanese Architectural Techniques At the Kigumi Museum, visitors can explore not only “Kigumi” but also other traditional Japanese architectural techniques. Most of these techniques are registered as UNESCO Intangible Cultural Heritage under the category of “Traditional skills, techniques, and knowledge for the conservation and transmission of wooden architecture in Japan.” Let’s delve into the traditional Japanese architectural techniques exhibited at the Kigumi Museum. Understanding “Sakan” (Japanese Plastering) “Sakan” refers to the work of applying plaster or mortar to exterior walls or earthen walls using a trowel, as well as the artisans who perform this task. It requires highly skilled craftsmanship, and the proficiency of artisans greatly influences the finished product. The origins of Sakan can be traced back to the Jomon period, where people primarily lived in pit dwellings and stacked soil to create earthen walls, marking the beginning of Sakan. During the Azuchi-Momoyama period, Sakan craftsmen played a significant role in the construction of tea rooms, a field also developed by figures such as Sen no Rikyu in the realm of tea ceremony. Traditional Japanese plastering techniques include “Kyo-kabe” (ancient-style Kyoto walls), which finish the surface with soil,read moreExperiencing Traditional Japanese Architectural Techniques (2): “Sakan”

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Experiencing Traditional Japanese Architectural Techniques (1): “Kigumi”

By ninjakotan

Experiencing Traditional Japanese Architectural Techniques (1): “Kigumi”   What is “Kigumi”? Traditional Japanese Architectural Techniques “Kigumi” is a traditional construction method in Japan that is said to have been used as early as the Heian period. With minimal use of metal fittings such as nails, it is a highly precise technique of building structures primarily using wood. By intricately carving and processing the ends of the timber, they are fitted together tightly to form a sturdy framework. Characteristics of “Kigumi” Despite the minimal use of metal fittings, buildings constructed using “Kigumi” exhibit high durability and seismic resistance. Unlike modern machine-cut timber, “Kigumi” involves hand-carving along the wood fibers. As a result, the wood retains its strength and resilience, making it a highly durable structural material. Furthermore, since it does not rely on nails or bolts for connection, “Kigumi” joints may have slight gaps. These gaps effectively absorb seismic forces during earthquakes, allowing the structure to withstand tremors. “Kigumi” can be considered a technique well-suited to Japan’s earthquake-prone environment.   Examples of “Kigumi” Architecture One of the most famous temples in Japan and a UNESCO World Heritage Site, Horyu-ji Temple, is renowned for its construction using “Kigumi.” Maintaining its beautiful appearanceread moreExperiencing Traditional Japanese Architectural Techniques (1): “Kigumi”

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How to Learn the Techniques of Japan’s Strongest Samurai (2)

By ninjakotan

How to Learn the Techniques of Japan’s Strongest Samurai (2): Authentic Samurai Experience in Tokyo We will explain how to learn the techniques of the strongest samurai in Japan. Although we refer to it as the techniques of the strongest samurai in Japan, there is no clear definition of who the strongest samurai are. However, it is safe to say that Mugairyu, taught at the Musashinokuni Mugaikai, is one of the strongest schools. One Reason Why We Consider Mugairyu to Be One of the Strongest Schools One reason we consider Mugairyu to be one of the strongest schools is that during the Meiji era, practitioners of Mugairyu were active immediately following the end of the samurai era. In the Meiji era, there were three outstanding swordsmen known as the “Sanro Sanketsu,” meaning three excellent warriors with the name “Ro” (郎). At that time, the Metropolitan Police Department was a gathering place for swordsmen, including former samurai who had survived the turmoil of the late Edo period, making it the largest hub of swordsmanship in Japan. The three swordsmen known as the “Sanro Sanketsu” were arguably the top three in all of Japan. The three members of the “Sanro Sanketsu” wereread moreHow to Learn the Techniques of Japan’s Strongest Samurai (2)

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How to Learn the Techniques of Japan’s Strongest Samurai (1)

By ninjakotan

How to Learn the Techniques of Japan’s Strongest Samurai (1): Authentic Samurai Experience in Tokyo   We’ll explore “How to Learn the Techniques of Japan’s Strongest Samurai.” While the claim of who is the strongest is subjective, we believe that Mugairyu Iaido taught at the Musashi-no-Kuni Mugaikai, is among the strongest martial arts schools.  Mugairyu Had Over 1,000 Students, Including the 32 Daimyo One reason is that Tsuji Gettan, the founder of Mugairyu, had over 1,000 students, including the 32 daimyo families during the Edo period. There were approximately 300 fiefs during this time, meaning around 10% of them had studied under Tsuji Gettan. Daimyo were feudal lords granted a stipend by the shogunate, typically controlling territories with a revenue of over 10,000 kokus of rice. In modern terms, they would be akin to local government leaders.   The fact that so many daimyo studied at this school is a testament to its strength. Tsuji Gettan trained at the Zen temple Kyukoji and achieved enlightenment at the age of 45. Renowned not only as a swordsman but also as a Zen practitioner and scholar, Gettan was said to converse on equal terms with many daimyo. He believed that swordsmanship andread moreHow to Learn the Techniques of Japan’s Strongest Samurai (1)

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Enhancing the Authentic Experience of Geisha Entertainment in Kagurazaka, Tokyo

By ninjakotan

Enhancing the Authentic Experience of Geisha Entertainment in Kagurazaka, Tokyo     Understanding the unique terminology commonly used by geisha can enhance your enjoyment of an evening with them. In this article, we’ll explain terms like “Tachikata,” “Jikata,” and “Hanadai.”   Ozashiki Odori (Dance) Enjoy traditional dances and songs performed by geisha in the Ozashiki (tatami-matted reception room). It’s considered proper etiquette in the Ozashiki to cease conversation and dining to appreciate the performance momentarily. Remember to politely ask for permission before taking photographs.   Tachikata and Jikata The entertainment presented during the gathering is composed of two roles: the “Tachikata” (dancers) and the “Jikata” (accompanists). Tachikata performs the dance while Jikata includes musicians such as shamisen players and drummers.   What is Tachikata? Tachikata must showcase an appropriate dance (typically Japanese traditional dance) that fits the ambiance of the Ozashiki or the preferences of the guests. They need to be flexible to accommodate sudden requests, necessitating a broad repertoire. In Kagurazaka, the traditional dance style is Hanayagi-ryu, with Hanayagi Seizaburo as the master. What is Jikata? Jikata, like Tachikata, requires a diverse repertoire. They must always maintain awareness of the atmosphere (“ma”) while performing alongside the dancer. This skillread moreEnhancing the Authentic Experience of Geisha Entertainment in Kagurazaka, Tokyo